Kenji Kanesaka, one of the founding members of the “Film Independent” group and the Japan Filmmakers Co-op in Tokyo, was commissioned by Chicago producer Marv Gold to direct Super Up in 1965. The film is an exceptional and striking critique of structures of racial and class segregation, consumerism and lust, sexual energy and desire, and the domination of (and link between) advertising, consumption, sexuality, and the police.